Every production is different. But there are a few constants — items that always come along, regardless of whether we are operating in an office, a desert, or a hospital corridor. Not because we "always need them", but because they fit how we work: fast, sharp, and with complete creative control.

Here’s a look into our bag — or better said: bags.

1. Cameras: reliable and flexible

We work with the Sony FX3 and Sony FX6 — compact, full-frame, cinematic output, and reliable under pressure. It is important for us that we can quickly switch between tripod, handheld, or gimbal.

→ Extra to bring: ND filters, extra batteries (lots), and a camera cage with top handle.

2. Lenses: emotion is in the glass

Our go-tos:

• 24mm f1.4 (for atmosphere and context)

• 50mm f1.2 (for close & soul)

• 85mm f1.8 (for distance and focus)

Bright, characterful, and tuned to how we want to frame stories.

3. Audio: underrated gold

We standardly bring:

• Rode NTG5 (boom)

• DJI Mic 2 (wireless)

• Zoom H6 (recorder)

Because bad sound is not only distracting, it is deadly for credibility. And with good audio, you can make space, distance, or silence tangible.

4. Light: small, smart, powerful

We love natural light — but never fully rely on it. That’s why our Aputure MC lights, an Amaran 200X, and a diffusion softbox always come along. They are small, quick to set up, and give immediate control over ambiance.

5. Grip & motion

• Manfrotto tripod (quick, sturdy)

• Ronin RS3 gimbal

• Slider (for steady motion without theatrical movement)

This allows us to set up something that breathes cinema within minutes, without sacrificing speed.

6. Essentials you forget (but we don’t)

• Gaffer tape

• Reflection board

• Power banks

• SD cards (always too many)

• Mini-monitor

• Multitool

• Quick snacks (yes, really)

Conclusion

What you bring in your bag says a lot about how you work. At Blueprint Studios, it’s about control and flexibility. About speed without compromising quality. Every item is chosen for a reason — just like every shot we take.

Because good tools don't make a good story. But they do ensure that you can tell it well.